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Rated: To Be Announced Format: DVD This item can be delivered to Russia. Details Dispatched from and sold by Amazon. Note: This item is eligible for click and collect. Details Pick up your parcel at a time and place that suits you. Choose from over 13, 000 locations across the UK Prime members get unlimited deliveries at no additional cost How to order to an Amazon Pickup Location? Find your preferred location and add it to your address book Dispatch to this address when you check out Learn more Special offers and product promotions Product description Product Description Seen by over 120 million people worldwide, LES MISÉRABLES is undisputedly one of the world’s most popular musicals. Coinciding with its 35th triumphant year in London’s West End, Cameron Mackintosh produced a spectacular sell-out staged concert version at the Gielgud Theatre featuring an all-star cast including Michael Ball, Alfie Boe, Carrie Hope Fletcher, Matt Lucas and John Owen Jones. Now experience the musical phenomenon at home, after it broke box office records and sold out its entire 16 week season. Featuring a cast and orchestra of over 65 and including the songs I Dreamed A Dream, Bring Him Home, One Day More and On My Own this sensational staged concert is not to be missed - an absolute must-see for any fans of musical theatre or live event cinema. Customer reviews 5 star 100% 4 star 0% (0%) 0% 3 star 2 star 1 star There was a problem filtering reviews right now. Please try again later.

 

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Three christs of ypsilanti images. Three christs buy. IFC Films Bradley Whitford as Clyde, Peter Dinklage as Joseph, and Walton Goggins as Leon in Three Christs, directed by Jon Avnet One does not have to go that far back in cinema to find another film besides Jon Avnet’s newly released Three Christs that is based on medical case history. There is, for example, Penny Marshall’s Awakenings (1990), which finds its source in Oliver Sacks’s 1973 account of the application of L-dopa, a then-recently formulated medication, in the treatment of patients with irremediable encephalitis. Sacks’s original narrative, in the book called Awakenings, is a significant literary achievement, and one that brought new awareness to the role that humanism, as a discipline, could play in the study of neurology. The book was so good, so memorable, so powerfully moving, that it helped spawn an entire literary career for Sacks, who went on to write such classics as Migraine, The Man Who Mistook His Wife For a Hat, Gratitude, and other excellent popular accounts of neurology, general medicine, his own life, and so on. Unfortunately, at least for this critic, Awakenings, the film, was a big bust. Not because, for example, Robert DeNiro was bad in it. On the contrary, as Sacks himself noted in his essay “ Awakenings on Stage and Screen, ” DeNiro’s capacity for physical duplication of neurological symptoms was spookily accurate. Rather, Awakenings the film was bad because the second Hollywood got ahold of the story, a whole apparatus of ludicrously melodramatic material was grafted onto Sacks’s gentle and beautiful account—all of this additional storytelling simulated, overwrought, and hard to enjoy. The result was, alas, a monstrosity of a thing. I approached Jon Avnet’s Three Christs —which is based upon Dr. Milton Rokeach’s spellbinding account (titled The Three Christs of Ypsilanti) of a “humanist” psychological experiment in Ypsilanti, Michigan, in which the author decided to practice group therapy with three chronically psychotic, schizophrenic men who all insisted they were Jesus Christ himself—with an anxiety born of prior disappointment. Since many are the abject pieces of cinema that are “based on a true account, ” as we are told here at the outset, there is good reason to worry. Judged as an example of the same, a story that awkwardly grafts dramatic material onto a wonderfully supple, sad, and powerful source, Three Christs proves the accuracy of prejudice. Right away, in the first act, there is the dismal backstory in which Dr. Allen Stone (performed by an excellently elderly Richard Gere) comes to this state hospital in Michigan for some merely plot-oriented reason, a state hospital with implausible interior offices, to conduct his implausible experiment, with implausible resistance from the evil forces of the mental health apparatus, while ignoring his implausibly young children and wife at home. Also: there is the fragile young bombshell assistant who couldn’t stop her own schizophrenic brother from committing suicide, and the African-American orderly who can’t possibly rise above his position, but who is the stalwart moral center of the film. I could go on, but the point is made: there is a superabundance of extraneous story soldered on for the sake of film entertainment. The viewer could be forgiven, in the first half-hour, for believing that one had made a grand mistake by taking on Three Christs. But if you left the film during the first act, you would miss some of what is rather splendid and moving about it—in particular, the wonderful performances of the three schizophrenic characters, Joseph, Leon, and Clyde, portrayed by Peter Dinklage, Walton Goggins, and Bradley Whitford. Each performer, in his way, brings something especially lucid to the enactment of the dread illness. Whitford, playing the lowest functioning person in the story, inhabits Clyde’s delusional space, his symbolic grasping of the world, with great sympathy; Dinklage, ever masterful and wily, manages the sometimes inexplicable charm and wit of the formidably ill; and Goggins, almost painfully at times, truly inhabits the provocations and anti-social tendencies of the most afflicted. IFC Films Richard Gere as Dr. Stone and Peter Dinklage as Joseph in Three Christs In appearance, Goggins is faintly reminiscent of David Berman, the late poet and songwriter, with his beard and broken glasses, and often achieves something like Berman’s outsider-art genius in Avnet’s rendering. It is worth also mentioning a tremendous setpiece that closely adheres to a story in Rokeach’s book, in which the men all sing “America the Beautiful” together, having selected it themselves for this purpose. This sequence is lovely, very sad, and, in its way, successfully patriotic, as almost nothing is these days. This middle section of the film holds fast most closely to Rokeach’s own account of his experiment, at times even including actual remarks by the original participants, and in this way, it gets very near to what is important about this narrative: a completely improbable experiment in humanist therapy (perhaps under the influence of the work of the humanistic psychologist Carl Rogers, which would have been roughly contemporaneous, and which eventually gave us the outlines of the now widespread practice of psychotherapy) in the midst of the institutional period of American mental health treatment. Considered from our vantage point, some fifty or more years later, Rokeach’s experiment may seem questionable, pointless, thoughtful, idealistic. But in the environment in which it was first pursued, it was fantastical enough to seem revolutionary: you’re going to just let them talk? When Avnet’s film takes the same approach, and just lets them talk, it is painful, noble, and beautiful, not least because of the great performances of the three schizophrenic characters, but also because of Gere’s dogged understatement, which is lovely and appropriate. There comes a moment, about two thirds in, when Dinklage’s Joseph kisses Gere’s character, out of gratitude—a long, sweet kiss, and it’s not only beautiful because it is routine, and because it is Peter Dinklage kissing Richard Gere, but also because this moment sets up a theme that runs through the last act of the film, in which one wonders whether one or more of the men really is Jesus of Nazareth. What would it mean to be him, actually, in the woebegone present? How would the love of Christ, among such a doomed constituency, manifest itself? The film closes with a great stretch of plot-oriented drudgery that I’m not going to rehearse here, including a suicide: more storytelling that could only come from a long-ago writers’ conference, perhaps in Los Angeles, that should never have been. None of this additional material is native to the source material, and all of it is stolidly performed by the actors in a way that, unfortunately, does not rescue the film as a whole. IFC Films Bradley Whitford as Clyde, Richard Gere as Dr. Stone, and Walton Goggins as Leon in Three Christs That said, what is it that we want from a film like Jon Avnet’s Three Christs? For me, it is not to have a bit of a cry and think about how rough it must have been in the mental hospital. What we might want, instead, is the opportunity to think of people with schizophrenia or other psychotic illnesses as people. Real people, with real emotions, and genuine ideas about themselves and their lives. Arguably, there is no Other, in all contemporary film and literature, that is as firmly lodged in the category of Outsider as the contemporary schizophrenic. You know you are seeing a film that will deal with schizophrenics by virtue of a bundle of tired repetitions: electroconvulsive shock therapy, screaming in the corridors, people being sprayed with a hose in lieu of showering themselves, straitjackets, solitary confinement. All these signal that we have left the place of civilization entirely. But, in actual fact, civilization can and does contain their suffering, a suffering much more complex than one film can manage. And yet the film that contends with this does us all a real service. One way we could begin is simply to tell the truth, as Richard Gere’s character recommends at one point in Three Christs (“Just tell the truth, keep it simple”)—by recognizing the common human aspiration in all our mentally ill people. They are our mothers, our sisters, our cousins, our brothers, our dads, our aunts and uncles. They are ourselves. Avnet’s film, for all its blustering about the institutional period of mental health treatment (a subject on which, it seems to me, it is very frequently incorrect), is on its firmest footing when in its depiction it strives for accuracy about the ache and woe of mental illness, when it says what is true: that they are us. Three Christs, directed by Jon Avnet, is on release from IFC Films from January 10. The Three Christs of Ypsilanti, by Milton Rokeach, with an introduction by Rick Moody, is published by New York Review Books.

If there is one thing we have all come to know with the history of schizophrenia, it's how relgion plays a role up to 90% of the cases. RIP brother - I know mosses was talking to you that night from your heater - and - it was abysmal how the church rejected you. Alas - relgion leads many into insanity. Badger from breaking bad is now playing for a football team with a badger mascot. A good one. In the late 1950s, three men who identified as the Son of God were forced to live together in a mental hospital. What happened? In the late 1950s, psychologist Milton Rokeach was gripped by an eccentric plan. He gathered three psychiatric patients, each with the delusion that they were Jesus Christ, to live together for two years in Ypsilanti State Hospital to see if their beliefs would change. The early meetings were stormy. “You oughta worship me, I’ll tell you that! ” one of the Christs yelled. “I will not worship you! You’re a creature! You better live your own life and wake up to the facts! ” another snapped back. “No two men are Jesus Christs. … I am the Good Lord! ” the third interjected, barely concealing his anger. Frustrated by psychology’s focus on what he considered to be peripheral beliefs, like political opinions and social attitudes, Rokeach wanted to probe the limits of identity. He had been intrigued by stories of Secret Service agents who felt they had lost contact with their original identities, and wondered if a man’s sense of self might be challenged in a controlled setting. Unusually for a psychologist, he found his answer in the Bible. There is only one Son of God, says the good book, so anyone who believed himself to be Jesus would suffer a psychological affront by the very existence of another like him. This was the revelation that led Rokeach to orchestrate his meeting of the Messiahs and document their encounter in the extraordinary (and out-of-print) book from 1964, The Three Christs of Ypsilanti. Although by no means common, Christ conventions have an unexpectedly long history. In his commentary to Cesare Beccaria’s essay “Crimes and Punishments, ” Voltaire recounted the tale of the “unfortunate madman” Simon Morin who was burnt at the stake in 1663 for claiming to be Jesus. Unfortunate it seems, because Morin was originally committed to a madhouse where he met another who claimed to be God the Father, and “ was so struck with the folly of his companion that he acknowledged his own, and appeared, for a time, to have recovered his senses. ” The lucid period did not last, however, and it seems the authorities lost patience with his blasphemy. Another account of a meeting of the Messiahs comes from Sidney Rosen’s book My Voice Will Go With You: The Teaching Tales of Milton H. Erickson. The renowned psychiatrist apparently set two delusional Christs in his ward arguing only for one to gain insight into his madness, miraculously, after seeing something of himself in his companion. (“ I’m saying the same things as that crazy fool is saying, ” said one of the patients. “That must mean I’m crazy too. ”) These tales are surprising because delusions, in the medical sense, are not simply a case of being mistaken. They are considered to be pathological beliefs, reflecting a warped or broken understanding that is not, by definition, amenable to being reshaped by reality. One of most striking examples is the Cotard delusion, under which a patient believes she is dead; surely there can be no clearer demonstration that simple and constant contradiction offers no lasting remedy. Rokeach, aware of this, did not expect a miraculous cure. Instead, he was drawing a parallel between the baseless nature of delusion and the flimsy foundations we use to construct our own identities. If tomorrow everyone treats me as if I have an electronic device in my head, there are ways and means I could use to demonstrate they are wrong and establish the facts of the matter—a visit to the hospital perhaps. But what if everyone treats me as if my core self were fundamentally different than I believed it to be? Let’s say they thought I was an undercover agent—what could I show them to prove otherwise? From my perspective, the best evidence is the strength of my conviction. My belief is my identity. In one sense, Rokeach’s book reflects a remarkably humane approach for its era. We are asked to see ourselves in the psychiatric patients, at a time when such people were regularly locked away and treated as incomprehensible objects of pity rather than individuals worthy of empathy. Rokeach’s constant attempts to explain the delusions as understandable reactions to life events require us to accept that the Christs have not “lost contact” with reality, even if their interpretations are more than a little uncommon. But the book makes for starkly uncomfortable reading as it recounts how the researchers blithely and unethically manipulated the lives of Leon, Joseph, and Clyde in the service of academic curiosity. In one of the most bizarre sections, the researchers begin colluding with the men’s delusions in a deceptive attempt to change their beliefs from within their own frame of reference. The youngest patient, Leon, starts receiving letters from the character he believes to be his wife, “Madame Yeti Woman, ” in which she professes her love and suggests minor changes to his routine. Then Joseph, a French Canadian native, starts receiving faked letters from the hospital boss advising certain changes in routine that might benefit his recovery. Despite an initially engaging correspondence, both the delusional spouse and the illusory boss begin to challenge the Christs’ beliefs more than is comfortable, and contact is quickly broken off. In fact, very little seems to shift the identities of the self-appointed Messiahs. They debate, argue, at one point come to blows, but show few signs that their beliefs have become any less intense. Only Leon seems to waver, eventually asking to be addressed as “Dr Righteous Idealed Dung” instead of his previous moniker of “Dr Domino dominorum et Rex rexarum, Simplis Christianus Puer Mentalis Doctor, reincarnation of Jesus Christ of Nazareth. ” Rokeach interprets this more as an attempt to avoid conflict than a reflection of any genuine identity change. The Christs explain one another’s claims to divinity in predictably idiosyncratic ways: Clyde, an elderly gentleman, declares that his companions are, in fact, dead, and that it is the “machines” inside them that produce their false claims, while the other two explain the contradiction by noting that their companions are “crazy” or “duped” or that they don’t really mean what they say. In hindsight, the Three Christs study looks less like a promising experiment than the absurd plan of a psychologist who suffered the triumph of passion over good sense. The men’s delusions barely shifted over the two years, and from an academic perspective, Rokeach did not make any grand discoveries concerning the psychology of identity and belief. Instead, his conclusions revolve around the personal lives of three particular (and particularly unfortunate) men. He falls back—rather meekly, perhaps—on the Freudian suggestion that their delusions were sparked by confusion over sexual identity, and attempts to end on a flourish by noting that we all “seek ways to live with one another in peace, ” even in the face of the most fundamental disagreements. As for the ethics of the study, Rokeach eventually realized its manipulative nature and apologized in an afterword to the 1984 edition: “I really had no right, even in the name of science, to play God and interfere round the clock with their daily lives. ” Although we take little from it scientifically, the book remains a rare and eccentric journey into the madness of not three, but four men in an asylum. It is, in that sense, an unexpected tribute to human folly, and one that works best as a meditation on our own misplaced self-confidence. Whether scientist or psychiatric patient, we assume others are more likely to be biased or misled than we are, and we take for granted that our own beliefs are based on sound reasoning and observation. This may be the nearest we can get to revelation—the understanding that our most cherished beliefs could be wrong. Like Slate on Facebook. Follow us on Twitter.

Three christs of y. Three christs (2017) torrent. Three christs explained. Three christ church. Three christs official trailer. This looks good. Rists.2019. The christmas tomten viktor rydberg. This was filmed back in 2016-17 and only getting a release now. Three christs csfd. Three christs movie watch online. Three christs of ypsilanti movie. Three christs richard gere. Three christs trailer reaction. The christian family home-making j r miller. Edit Storyline Three Christs tells the story of an extraordinary experiment that began in 1959 at Michigan's Ypsilanti State Hospital, where Dr. Alan Stone treated three paranoid schizophrenic patients who each believe they are Jesus Christ. Dr. Stone pioneers a simple, yet revolutionary treatment: instead of submitting the patients to electroshock, forced restraints and tranquilizers, he puts them in a room together to confront their delusions. What transpires is a darkly comic, intensely dramatic story about the nature of identity and the power of empathy. Plot Summary | Add Synopsis Motion Picture Rating ( MPAA) Rated R for disturbing material, sexual content and brief drug use Details Release Date: 3 January 2020 (USA) See more » Also Known As: Three Christs Box Office Cumulative Worldwide Gross: $36, 723 See more on IMDbPro » Company Credits Technical Specs See full technical specs » Did You Know? Trivia Peter Dinklage and Charlotte Hope both appeared in Game of Thrones. See more ».

I know its difficult to see but what texts do you believe Joseph to be reading at 0:28. Three christs book. This cast is incredible. Three christs film trailer.

 

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  1. Creator: Richard Brookhiser
  2. Info: Biographer, historian, journalist, senior editor National Review (my columns: City Desk, Country Life)

 

 

 

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Dark light (beatshoundz & volb3x remix) by night lovell. You know the drill 1= Darth Vader 2= Kylo Ren 3= Rey 4= Luke Skywalker 5= Yoda 6= Darth Maul 7= Finn 8= Poe Dameron 9= a stormtrooper 0= Palpatine. Dark light cloud. YEAH STAR WARS. The neighbor called, asked to make it louder.

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Darklight. Dark And Light Free Download (Incl. DLC) Dark And Light Free Download PC Game pre-installed in direct link. Dark And Light was released on Jul 20, 2017 About The Game The shattered remains of the mother planet Gaia float in stark contrast against the sky on nearby satellite planet, Archos, serving as inescapable evidence of the dark forces surrounding the world. As a lone explorer in the wilderness, you must learn to understand the terrain, natural resources, as well as how to domesticate the local creatures and build a home. You will need to harness and control the magical energy that courses through the planet, or you risk being consumed by the looming darkness that permeates throughout the planet. Every aspect of Dark and Light has been re-imagined, re-worked, and upgraded from the 2004 original. Gaia’s very existence is dictated by primal elemental forces, including wind, earth, water, fire, light, and darkness. These elements course through the world, sometimes clashing and causing earth-shattering changes. Gaia houses a number of various biomes, including lush forests, soaring peaks of ice-capped mountains, a towering volcano clouded with sulfur and ash, as well as breezy floating islands, ominous dark forests, wide swamps, and deep caverns. Extreme weather conditions will put you to the test; you’ll need to procure food and water, as well as the proper tools required to roam this expansive land and brave the unforgiving elements. How to Download & Install Dark And Light Click the Download button below and you should be redirected to UploadHaven. Wait 5 seconds and click on the blue ‘download now’ button. Now let the download begin and wait for it to finish. Once Dark And Light is done downloading, right click the file and click on “Extract to ” (To do this you must have WinRAR, which you can get here). Double click inside the Dark And Light folder and run the exe application. Have fun and play! Make sure to run the game as administrator and if you get any missing dll errors, look for a Redist or _CommonRedist folder and install all the programs in the folder. Dark And Light Free Download Click the download button below to start Dark And Light Free Download with direct link. It is the full version of the game. Don’t forget to run the game as administrator. Dark And Light (Incl. DLC) Size: 14. 63 GB NOTICE: This game is already pre-installed for you, meaning you don’t have to install it. If you get any missing dll errors, make sure to look for a _Redist or _CommonRedist folder and install directx, vcredist and all other programs in that folder. You need these programs for the game to run. Look for a ‘HOW TO RUN GAME!! ’ file for more help. Also, be sure to right click the exe and always select “Run as administrator” if you’re having problems saving the game. Always disable your anti virus before extracting the game to prevent it from deleting the crack files. If you need additional help, click here System Requirements OS: 64-Bit Windows 7 Service Pack 1, Windows 8, or Windows 10 Processor: Intel Core i5 2500K Memory: 8 GB RAM Graphics: GeForce GTX 960 or higher DirectX: Version 10 Storage: 50 GB available space Screenshots.

Im so alone. Love the cricket sound. This is a film about a mother a daughter and the entity, its a socalled tale of the unexpected, and indeed it was. so stay away from the ffwd button for this is high class horror up among the masters of the genre.
i did expect something trivial, but got brilliance instead, of acting, of story, of twists, of sound and visual effects, of editing and filmography, and not to forget to mention the terrific score that can even challenge the thing of suspence and thrill.
i will not spoil the storyline, just tell that this is the best of the kind this year, a marvel of the unexpected thinks the grumpy old man.

Get instant access and start playing; get involved with this game as it develops. Note: This Early Access game is not complete and may or may not change further. If you are not excited to play this game in its current state, then you should wait to see if the game progresses further in development. Learn more What the developers have to say: “Dark and Light has been in development for a few years, and has gone through many iterations to become the unique Fantasy RPG / Sandbox hybrid that it is today. We still have a grand vision for Dark and Light, and we want to be able to finally realize it. We are proud of the progress we have made thus far, yet in order to fully achieve the ambitious plans we have for the game, we feel it is necessary at this crucial stage in the development process that we work with the community (many of whom have loved this game since its first release) to gather real player feedback based on firsthand experience with the game. Dark and Light’s Early Access period is the perfect opportunity for us to continue iterating, balancing, and optimizing in order to ensure that the final product is exactly the kind of experience we have hoped to deliver to our fans since day one. ” “We expect Early Access to last approximately one year. ” “In terms of core gameplay, Dark and Light’s Early Access version is not far off from our eventual goal. Over the next year, we we plan on adding additional content to expand on the overarching narrative of the game, and make the overall experience as immersive as possible. In subsequent updates, we will focus on gradually introducing the following features and improvements: -Additional maps - in our current build, players only have one map to explore, but as development progresses, we plan on expanding the original map as well as adding entirely new maps with new resources and wildlife -Even more spells! There are already dozens of unique spells that players can master in Dark and Light, but we have plans to add additional spells and improving the ways that players can use magic to interact with other features, such weapon / armor forging and more -Additional servers globally and higher player caps per server -Additional support for private server hosting -Cross-server PvP activities -Improvements to the in-game chat system, including support for voice chat -Improved faction-based features, including unique NPCs, building types, merchant and trade relationships, and more” “Dark and Light is a true Early Access game. That means that core gameplay and content is in a playable state, and we're expecting players to really enjoy themselves with the content we have available currently. That being said, we're also expecting to see a lot of serious bugs, server stability issues, and gameplay balance issues, especially during the beginning stages of Early Access. We'll be relying heavily on player feedback to help us make Dark and Light the best experience it can be. ” “The price of the Early Access version will be relatively lower than that of the full launch version. ” “We’ve already laid the foundation for Dark and Light, so from this point, we want the development process to be a collaborative effort between Snail and the community. We’ve already begun building a relationship with our community on Facebook, Reddit, Twitter, and Discord, and we plan on joining and supporting conversations on fansites and our official forums to stay up-to-date on player sentiment and feedback. We also plan on opening a Support system specifically for fans to directly communicate their feedback to us. We are very open to the opinions and concerns of the community, and we want to work together to make Dark and Light the best game it can be for the entire community. ” Read more About This Game The shattered remains of the mother planet Gaia float in stark contrast against the sky on nearby satellite planet, Archos, serving as inescapable evidence of the dark forces surrounding the world. As a lone explorer in the wilderness, you must learn to understand the terrain, natural resources, as well as how to domesticate the local creatures and build a home. You will need to harness and control the magical energy that courses through the planet, or you risk being consumed by the looming darkness that permeates throughout the planet. Every aspect of Dark and Light has been re-imagined, re-worked, and upgraded from the 2004 original. Gaia’s very existence is dictated by primal elemental forces, including wind, earth, water, fire, light, and darkness. These elements course through the world, sometimes clashing and causing earth-shattering changes. Gaia houses a number of various biomes, including lush forests, soaring peaks of ice-capped mountains, a towering volcano clouded with sulfur and ash, as well as breezy floating islands, ominous dark forests, wide swamps, and deep caverns. Extreme weather conditions will put you to the test; you'll need to procure food and water, as well as the proper tools required to roam this expansive land and brave the unforgiving elements. Ages ago, Gaia was attacked by dark forces and collapsed, plunging the world into darkness. Many sought exodus to Archos, one of Gaia’s satellite planets - unwittingly (or for some, perhaps intentionally) bringing the dark forces along with them. As a result, Archos’s atmosphere has been adversely affected, causing some strange occurrences on the planet during the night. During the day, Archos’s landscape is peaceful, but once the sun sets, the planet immediately plunges into chaos. Occasionally, the remnants of Gaia will block out the sun, causing an eclipse on Archos, resulting in a violent, bloodthirsty frenzy among the planet's native creatures. Eclipses also provide an opportunity to obtain incredibly rare magical resources, so players must learn to survive during eclipses if they want to thrive. Magic permeates throughout everything Dark and Light, and the line between physical and magical becomes increasingly blurred as the game progresses. There are dozens of magical skills related to survival, exploration, defense, transformation, control, attack, and more. Players can harness the power of the elements to construct buildings, erect a network of portals to transport you all across the continent, and even control the weather. Possibilities aren't just limited to creation and control, however. Players can master important battlefield skills with a magic staff and over 14 different melee and ranged weapons, including bows, swords, daggers, and more. Players can also use magic to forge weapons and create their own legendary equipment. Dark and Light features dozens of magical beasts, including dragons, griffins, unicorns, centaurs, goblins, and many, many more. There are also plenty of unique creatures that players have never seen before, and all are native to this planet. All the creatures in the game survived the havoc spread by the destruction of Gaia, and thus are all imbued with incredible magical powers. Players can hunt them for food and clothing, extract their magical essence, or they can choose to tame them and raise them as faithful companions. Players and NPCs can all progress through their own growth systems, and players can choose which skills they want their characters to master. These include both physical skills such as speed, endurance, and strength, but can also apply to a character's crafting abilities. Whether a character chooses to be an architect, a mage, or a warrior is all up to them, the combinations of skills and stat builds in Dark and Light are virtually limitless. It is possible to become a master of all skills, but doing so will require tremendous time and effort. In order to develop a strong foundation, players are encouraged to specialize and cooperate with one another throughout their time on Archos. Archos’s punishing environmental conditions have bested many adventurers who tried to go it alone - players will need to band together to survive. Dark and Light is designed to encourage cooperation at every level; survival, exploration, and combat are all incredibly demanding, and few will be able to fully master their surroundings. This is particularly true in regards to group combat, where supporting and managing a diverse battalion of warriors, mages, trainers, and more will grant you a major advantage in large-scale battles. Players can choose to start in one of three main cities, each one belonging to one of the three ruling factions on Archos. This community structure is critical in the early stages of the game, when players are relatively weak and need support from others. Your role in the faction becomes increasingly important as you progress through Dark and Light - if you establish your specialty early, it’ll go a long way in helping you contribute to the success of your faction. Dark and Light's sandbox world affords players the freedom to create and build just about anywhere in the world. Whether you want a secret underground base or a fortress atop a massive floating island, if you can reach it, you can build there. As the forces of darkness simmer on the horizon, defending your homestead will become increasingly important. A combination of physical and magic fortifications, including NPCs and tamed creatures, will be necessary for players to defend their land from being engulfed by darkness. Archos is still threatened by the total collapse of Gaia and a massive invasion by the forces of darkness. Even though the portals that link Archos to Gaia have closed, darkness emanates from the mother planet, affecting all the living creatures on Archos. Whether to embrace the darkness or fight it is a choice that remains solely with you, and it is your choice that will represent the future of the world.

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Creator: Scrutiny Steve
Resume: A dad, a tech geek, a scrutiny panel member (shadow vice chair) for Stonewater housing association plus a tenant. All opinions are my own.

 

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